Aino Laberenz, 36, ist eine der Frauen, die man auf den ersten Blick als „typisch Berlin“ einstufen könnte.

Please accept the privacy policy. That is why I never asked myself whether I would continue, but rather how. The ensemble of the director Martin Laberenz, who previously staged Elfriede Jelinek’s WUT at the Deutsches Theater, sets off in search of the phantasms of the German "we" thirty years after the fall of the Wall and the publication of this play.

In future, this is supposed to come to the fore much more strongly still: We want to create something where people have respect for each other, where they engage in an artistic and interpersonal exchange and work together. Sie war an verschiedenen renommierten Theatern tätig, u.a. International women artists designed custom t-shirts – that resulted in 37 unique pieces, which we auctioned off in the KÖNIG GALERIE in Berlin.

Visitors from the U.S., please visit our U.S. website Working for the Operndorf is in an honorary capacity. The work was finished posthumously by pavilion curator Susanne Gaensheimer and Schlingensief's wife Aino Laberenz. Seit 2004 gehörte Aino Laberenz zum Team von Christoph Schlingensief, sie setzt seit 2010 das von Schlingensief initiierte Projekt Operndorf Afrika fort.
Christoph’s vision was and has always been the starting and the reference point for the realisation of the project. Wir haben unsere Abmachungen. Dafür wurden beide mit dem Goldenen Löwen für den besten Pavillon ausgezeichnet. Digital denominator. 1810 Adele pictures. But: Without a village, there is no opera!And this has been developing outside the capital of Burkina Faso, Ouagadougou, ever since 2009. We meet up with Aino Laberenz in the offices of the “Operndorf Afrika” on a cold morning. Als Fotografin zeigte Aino Laberenz 2015 ihre erste Einzelausstellung in der Galerie für Moderne Fotografie in Berlin. In summer 2019, the two photographers and filmmakers Sandra Schaede and Robert Kummer traveled South and recorded what constitutes such an “Opera Village” and what was born of Christoph Schlingensief’s vision.

Sie war an verschiedenen renommierten Theatern tätig, u.a. But first and foremost, I want to realise everything we set out to do this year, and to constantly improve the project and of course myself in the process.Career changers welcome! 2014 kuratierte Laberenz die Christoph-Schlingensief-Retrospektive am KW Institute of Contemporary Art in Berlin sowie die Schlingensief-Retrospektive am PS1 MOMA New York. It is important to me in general to be moving in different spheres and stay open for new things.

It is important to me that while we outwardly uphold Christoph Schlingensief’s idea, we nonetheless above all also focus in more detail on the entire implementation, on the people, on the place and all that. With me and without Christoph Schlingensief it has gone its own ways. Basically, it is about finding a way to deal with the works of Christoph Schlingensief after his death.I would certainly say that this is an area I need and from which I draw new input for myself. That in turn requires good planning in connection with the project and the administration of Christoph Schlingensief’s estate.

19.7.2020 Episode herunterladen Scala - Hintergrund Kultur Einer, der fehlt 12 Min. I also like to follow certain rituals when I travel.Basically, I like my work and don’t experience it as something that I need to balance out.


Five jobs that didn’t exist five years ago. But we finance our main part through the private commitment of many individuals – and we see this above all as encouragement for our work.We want to create something where people have respect for each other, where they engage in an artistic and interpersonal exchange and work together.In the last seven years, we put on three very different auctions. Aino Laberenz: „The estate doesn’t determine my life“ 20.08.2020 The Berlin costume and set designer and widow of Christoph Schlingensief has published a book and talks about the responsible and joyful work with the heritage and the state of affairs at Operndorf Afrika. Darauf freue ich mich», sagte die Bühnenbildnerin der Zeitschrift «Bunte».

Just that the project spans two continents, different languages are spoken and different cultures come together is not always easy. I think that is easy to understand for anyone who works artistically or as a freelancer. The Operndorf is embedded in the local community and makes an important contribution in the areas of culture, education and medicine. Her appearance is instantly mesmerising. BERLIN: Auch zehn Jahre nach dem Tod von Regisseur Christoph Schlingensief (1960-2010) vermisst seine Witwe Aino Laberenz ihn noch immer.

To me, it is important in general to work closely with the art scene: I am interested in its perception and it is very important to me personally – including in the exchange on the Operndorf. Curator Raphael Gygax talks to Aino Laberenz about A new exhibition at Turner Contemporary, Margate, proposes a backyard narrative of the US civil rights movementThe artist’s exhibition at Galerie Imane Farès, Paris, shows the multiple faces ofThis October sees the return of Frieze Sculpture in Regent's Park and a hybrid programme of online and offline activity, reaching audiences worldwide via Frieze Viewing Room as well as celebrating the vibrant art scene in LondonA new exhibition at Turner Contemporary, Margate, proposes a backyard narrative of the US civil rights movement Of course, I was very delighted that KÖNIG GALERIE and Lempertz Auction House helped us with the t-shirt auction – we have a great circle of supporters.

1981 in Turku, Finnland) studierte zuerst Kunstgeschichte, bevor sie als Bühnen- und Kostümbildnerin sowie als Fotografin arbeitete. They have chosen to live their dream of an alternative ...Two mothers and one father tell us about raising their daughters to become strong women.With her "Curiosity Club", Parisian Margaux Hammer brings together international women from various industr...Entrepreneur Verena Pausder sets new standards with her commitment to children’s digital education.Learn how conservation photographer Cristina Mittermeier uses her work to protect the oceans.Two mothers and one father tell us about raising their daughters to become strong women.One family, one home, one journey around the world.

Ein wichtiges Element ist hierbei der interkulturelle Austausch.

The answer lies in these pictures, because they speak for themselves.